THREE:[See larger version]About an hour after midnight there came thundering through the quiet of the night the sound of galloping hoofs along the road at the foot of the ravine. Cairness, lying broad awake, was the first to hear it. He sprang up and ran to the opening of the tent. He guessed that it was a courier even before the gallop changed to a trot, and a voice called from the invisible depths below, "Captain Landor?" with a rising intonation of uncertainty.
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THREE:Sandy, thrilled at the prospect of a hop with his own comrade doing the control job, was full of fun and jokes.
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THREE:There is a certain class of persons to whom it is always irritating to find any one reading a book. It rubs them the wrong way instantly. They will frequently argue that their own, and the best, manner of studying life is from naturean excellent theory in sound, and commonly accepted as unanswerable, but about as practical in fact as the study of music on the instrument alone, without primer or method.Dont you, Dick?
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THREE:Painting, like architecture, was at a very low ebb during this period, with one or two brilliant exceptions. Foreign artists were in demand, and there was no native talent, except that of Thornhill and Hogarth, which could claim to be unjustly overlooked in that preference. Sir Peter Lely was still living, but Sir Godfrey Kneller, another foreigner, was already taking his place. Kneller was a German, born at Lübeck, and educated under the best Flemish masters of the day. As he had chosen portrait-painting as his department, he hastened over to England after a visit to Rome and Venice, as the most profitable field for his practice, and being introduced to Charles II. by the Duke of Monmouth, he became at once the fashion. Kneller had talents of the highest order, and, had not his passion for money-making been still greater, he would have taken rank with the great masters; but, having painted a few truly fine pictures, he relied on them to secure his fame, and commenced an actual manufacture of portraits for the accumulation of money. Like Rubens, he sketched out the main figure, and painted the head and face, leaving his pupils to fill in all the rest. He worked with wonderful rapidity, and had figures often prepared beforehand, on which he fitted heads as they were commissioned. Sir John Medina, a Fleming, was the chief manufacturer of ready-made figures and postures for him, the rest filled in the draperies and backgrounds. Kneller had a bold, free, and vigorous hand, painting with wonderful rapidity, and much of the grace of Vandyck, but only a few of his works show what he was capable of. The beauties of the Court of William and Mary, which may be seen side by side with those of the Court of Charles II. by Lely at Hampton Court, are far inferior to Lely's.
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